The 95th Academy Awards, Best Picture Nominees: The Oscars 2023 Review: All Quiet on the Western Front (2022)

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General Friedrichs: What is a soldier without war?
Director: Edward Berger
Writer(s): Edward Berger, Lesley Paterson, Ian Stokell and based on the novel by Erich Maria Remarque
Starring: Felix Kammerer, Albrecht Schuch, Daniel Brühl

Synopsis: A young German soldier’s terrifying experiences and distress on the western front during World War I.

As a teen I remember watching ‘Saving Private Ryan‘ in theaters and the traumatic impact of its opening scene remains vivid. The film’s opening is permeated with shocking and disturbing imagery that further intensifies the experience. I was shocked at the brutality but also enthralled with Steven Spielberg’s vision. This was the first time I saw the war depicted on screen in such a horrific way. During my childhood, I was exposed to a variety of war movies that were equally disturbing. Films such as Platoon, Born on the Fourth of July, Apocalypse Now, and Full Metal Jacket provided a shocking portrayal of the brutalities of war. These movies instilled in me a deep sense of fear about the prospect of being drafted and experiencing a future as bleak as the protagonists in those films. As a child, I was drawn to war films, and Saving Private Ryan was the pinnacle of that genre for me. I loved the movie, but I don’t remember ever experiencing a war film as intense and immersive as that until now. The film’s visceral depiction of the brutality and chaos of war was unparalleled, and it left a lasting impression on me. The movie conveyed a sense of realism and authenticity that I had not seen before, and it was as if I was right there alongside the soldiers, experiencing their struggles and triumphs firsthand. Even now, as an adult, I continue to be captivated by the power of Saving Private Ryan, and it remains one of my all-time favorite war films. Over the years, there have been many great war films that have left a significant impact on me, including Downfall and Inglourious Basterds (more for it’s ambition). However, none of them had the same emotional impact as Saving Private Ryan, until now.

All Quiet on the Western Front is a new war film that was able to match the intensity and realism of Saving Private Ryan. The film depicted the horrors of war in a way that was both raw and authentic, and it was as if I was transported to the battlefield, experiencing the events alongside the soldiers. The movie was a stark reminder of the senselessness and tragedy of war, and it left me feeling shaken and reflective. Although Saving Private Ryan will always hold a special place in my heart, this new war film proved to be just as powerful and thought-provoking.

The film follows a German soldier named, Paul Bäumer, (played intensely by Felix Kammerer) in World War I, the experience of battle was both grueling and harrowing. He was part of a generation of young men who had been trained to believe that war was an honorable endeavor, a duty to one’s country. But the reality was far different from the patriotic propaganda they had been fed. The trenches were dark and damp, and the soldiers were constantly under the threat of bombardment from the enemy. The smell of death and decay was ever present, and disease was rampant. Paul will see comrades fall beside him, their bodies ripped apart by bullets or blown to pieces by explosives. The horrors of war are etched into his memory forever. Despite the hardships, however, there was a sense of camaraderie amongst his fellow soldiers, and a belief that they were fighting for something greater than themselves. But as the war dragged on, and the casualties mounted, it became increasingly difficult to maintain that sense of purpose and the film takes its time to vividly illustrate just how far a soldier can fall in the face of war. The audience is given a raw and unflinching glimpse into the harrowing experiences and emotional toll that combat takes on a soldier. The film exposes the physical and psychological trauma that soldiers endure, as well as the mental and emotional challenges of being away from loved ones for extended periods. It shows how the brutal realities of war can change a person, often leaving them feeling broken and disillusioned. The film’s attention to detail and commitment to realism make it a poignant and sobering reminder of the sacrifices made by soldiers in times of conflict.

It’s unfortunate that the themes depicted in this film continue to be relevant today. As of 2023, conflicts and wars around the world are ongoing, and many people are experiencing the same harrowing situations depicted in these films. The ongoing Russian bombing of Ukraine and the Taliban’s resurgence in Afghanistan are just a couple of examples of the continued violence and instability in many parts of the world. It’s important to remember that war and conflict have devastating consequences, affecting the lives of innocent civilians and causing long-lasting damage to communities and societies. It’s a sobering reminder of the ongoing need for peace and diplomacy, as well as the importance of supporting those who are affected by war and its aftermath.

A

FILM REVIEW: SONIC THE HEDGEHOG 2 (2022)

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Sonic: Let’s talk about your new outfit: it’s like Professor X meets Mr Monopoly.

Director: Jeff Fowler

Writers: Pat Casey, Josh Miller, John Whittington

Starring: Jim Carrey, James Marsden, Tika Sumpter, Natasha Rothwell, Adam Pally with Idris Elba as the voice of Knuckles and Ben Schwartz as the voice of Sonic

Synopsis: Dr Robotnik returns to Earth with a new ally intent on revenge and in pursuit of a new ultimate power.

What happens if you mix the films Teenage Mutant Ninja Turtles II: The Secret of the Ooze with Batman Forever and The Lord of the Rings: The Fellowship of the Ring, you get Sonic the Hedgehog 2, the fun but kinda crazy sequel to the biggest hit of 2020, Sonic the Hedgehog. Would Sonic the Hedgehog still have been the biggest hit of 2020 if cinemas didn’t close down shortly after due to the covid-19 pandemic? Who knows? It doesn’t matter because at the time the film was a big hit and everyone seemed to enjoy it for its playful harmless fun. The sequel picks up directly after the original with Jim Carrey’s Dr Robotnik stuck on a Mushroom Planet trying to get back to Earth to get revenge on Sonic. As he creates a portal to Earth, he meets Knuckles the Echidna, a red anthropomorphic short-beaked echidna whose father was one of the Echidna’s who killed Sonic’s mother figure, Longclaw, before she sent Sonic to Earth in the original film. Knuckles has a history as a soldier intent on fighting Sonic. Now that I write this, Knuckles isn’t given much of a back story as to why he wants to get Sonic just that his is. He teams up with Dr Robotnik to travel to Earth and find the Green Emerald a plot device which will give the bad guys ultimate power. This is taken directly from the video game and will be a fun easter egg for the fans. Knuckles is a great new character which Idris Elba voices with charm and dutiful service. He makes a great foe for Sonic who in the first film was pretty much undefeatable. Knuckles is powerful like Sonic, but instead of being super-fast he is super-strong.

The film also picks up directly after the original with Sonic living with Tom and Maddie Wachowski (returning players James Marsden and Tika Sumpter) as their foster son…? Tom gives Sonic fatherly advice on a fishing trip as he prepares to leave him alone as he and his wife need to attend the wedding of Maddie’s sister, Natasha (played by the hilarious Natasha Rothwell, returning from the original) in Hawaii. As they leave, Sonic enjoys the empty house by hanging out with the family dog and dancing around making the house a mess. Tails, an anthropomorphic two-tailed fox, is a fan of Sonic from another planet who comes to help Sonic when Dr Robotnik and Knuckles arrive to ruin his home alone time. The film, like the first, goes on to become a buddy road trip comedy adventure with Sonic and Tails becoming close friends (just like in the video game). The character designs are cute and work seamlessly in the live action setting.

The film is pretty similar to the first film with it being a constant clash of a Jim Carrey comedy routine and an adventure fantasy with Sonic and Tails. Also included is a bizarre wedding side plot for the human characters to enjoy some screen time which is absolutely bonkers.

Like the first film this is pretty inoffensive family fun which you can enjoy over the school holidays or a lazy Saturday afternoon. Sonic is a fun character and the new additions of Knuckles and Tails make it differentiate from the original. At times it seems overstuffed but it is a solid sequel which deserves its success.

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Rating: B-

FILM REVIEW: SONIC THE HEDGEHOG (2020)

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Sonic the Hedgehog: Your egg drones are impressive, Eggman! But face it, you’ll never catch me!

Dr. Robotnik: Confidence… a fool’s substitute for intelligence!

Director: Jeff Fowler

Writers: Pat Casey, Josh Miller

Starring: Jim Carrey, James Marsden, Tika Sumpter, Natasha Rothwell, Adam Pally and Ben Schwartz as the voice of Sonic

Synopsis: Sonic is an anthropomorphic blue hedgehog who has transported to Earth and makes friends with a local Police Officer, while a mad Scientist tries to capture him.

The last film I watched pre-pandemic in the cinemas. What a time, I had no idea that this would be the last movie I watched in the cinema for a whole year! Well actually that’s not true I did end up seeing Tenet and Wonder Woman 1984. However this is about Sonic the Hedgehog – the movie! The iconic video game character, rival to Nintendo’s Mario Brothers. As a child I had a Sega Master System (not a Nintendo) I’m not sure why I got Sega I don’t remember deciding. Sonic the Hedgehog was one of my first video games I played all the time. Eventually I got Sonic the Hedgehog 2 (with Tails) on the next Sega machine – Sega Mega Drive. I kept up with the following sequels as time went on. Sonic was one of my favorite characters growing up. As a kid I always imagined a live action film with an animated version of him in it. During the early nineties this idea wasn’t unheard of. The hit film Who Framed Roger Rabbit was able to blend animation with live action seamlessly and Teenage Mutant Ninja Turtles a television cartoon had a popular live action film. Even Nintendo’s Super Mario Bros had a live action film. They should have made a Sonic film in the nineties everyone would have loved it. However here we are now twenty years later and Sonic finally has a film. In early 2020 it was a weird time for Sonic the Hedgehog to appear in a live action film because Sega hadn’t produced a popular video game with Sonic the Hedgehog in it since the nineties. Unfortunately, the arrival of the Playstation 2, and Microsoft’s Xbox in the early 2000’s, meant the end for Sega as a console manufacturer and in 2001 the company became a games developer for other platforms, including their former rivals, Sony, Microsoft and Nintendo. Several games featuring Sonic would pop up time after time but none of them had the mass popularity of the nineties Sega Mega Drive games. Characters such as Mario and Link were able to continue in their popularity into 2020 thanks to Nintendo being able to keep up with Playstation and Xbox. I admit I am now a Nintendo Switch addict and Mario and Link have taken over as my favourite video game characters. However, I will forever have fond memories of playing hours of Sonic as a kid and it was a treat to take my daughter to see him on the big screen even though she played Mario with me and didn’t really know who Sonic was.

The film makes it easy for newcomers to become familiar with Sonic and most children will get a kick out of his fun, free-spirited attitude. He’s a child as the film opens who lives on another planet with a talking Owl named Longclaw who is like a mother figure for Sonic. Although in the video game Sonic collected rings to increase his power and lives, in the film rings are used to travel to different planets (eventually they are used to teleport anywhere). Sonic’s home planet is under threat and Longclaw gets Sonic to teleport to Earth before she is killed by Echidna-type characters. (Similar to the opening of Superman). The film’s opening is beautiful to look at and a great adaptation of the game, especially the opening level of Green Hills. The characters are designed in CGI and look fantastic. They mix with the live action world realistically. Early in production a trailer went out with a different design for Sonic and audiences were so mad on social media that Paramount had to delay the release to update the design.
As Sonic lands on Earth he grows up in Green Hills, Montana on his own in a quiet, sleepy town that has zero crime and apparently two police officers. One of the Police Officer’s is Tom Wachowski (played by the vanilla James Marsden). Tom is married to the beautiful Maddie played by Tika Sumpter, who has fun with her minor role. Sonic is a fun loving, very fast anthropomorphic blue Hedgehog, however growing up alone has left him lonely and longing for friendship and connection. As he watches kids play baseball, he tells himself he is okay living on his own. That night he plays on an empty court and begins running so fast in anger that he causes an electromagnetic pulse which causes a massive power outage across his town. This gets the attention of the two police officers (the other Officer Wade is played by the hilarious Adam Pally from the excellent sitcom Happy Endings) Tom Wachowski has just been offered a new job in San Francisco and at the time he is packing to leave the town. Wade is completely useless as a Police Officer and calls Tom in a panic. While this is happening Sonic hides in Tom’s garage and they both accidently meet in shock. What follows is a road trip comedy or more of a father-son relationship that anchors the narrative. Sonic needs to leave Earth to a Mushroom Planet because he fears he may get taken by the Government for his powers. Tom agrees to take him to San Francisco where he left his rings which will take him to that planet. Did I mention Jim Carrey is in this…?

For fans of the video game, you will remember Sonic’s nemesis, the fat, bald and loud, Dr Eggman Robotnik, who would use robots and spaceships to attack Sonic at the end of each level. In the film he is played by Jim Carrey (who is completely unleashed) as a highly intelligent and arrogant Scientist who wants to find Sonic and harness his powers. If you are a fan of Jim Carrey from his Ace Ventura, The Mask and Liar, Liar performances you will enjoy his addition to the film. If you don’t then I tell you now do not watch this film! Carrey is completely unhinged in the role bringing his brand of humour to next level altitudes (pardon the pun). As a nineties kid I am a fan of Carrey’s comedic roles and I have to admit I enjoyed his performance in the film. The film overall becomes a mix of Jim Carrey performing a comedy routine and a buddy/adventure comedy with Sonic and Tom.

The film is harmless fun for the family to watch on a lazy afternoon or Saturday night. There is nothing here to offend (unless you hate Jim Carrey). The humour is aimed at both adults and children so everyone should have a fun time. The film works even for non-fans of Sonic as he is a great character for kids being funny, fast and generally inoffensive as a quick witted teenage boy. My daughter enjoyed it despite never playing a Sonic game. I think the film works as a mix of comedy, adventure and fantasy. Everything you would want from a film based on a video game and it’s probably one of the best made video game films (which isn’t a far stretch). I’ll even go out and get a new Sonic video game to have some gameplay nostalgia.

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B+

FILM REVIEW: SCREAM 4 (2011)

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Ghostface: Time for your last question: name the remake of the groundbreaking…

Kirby Reed: Halloween, Texas Chainsaw, Dawn of the Dead, The Hills Have Eyes, Amityville Horror, Black Christmas, House of Wax, Prom Night, My Bloody Valentine! It’s one of those, right?

Ghostface: None of the above!

Director: Wes Craven

Writer: Kevin Williamson

Starring: Neve Campbell, Courtney Cox, David Arquette, Emma Roberts, Hayden Panettiere

As the Scream trilogy ended in 2000 we have gotten the successful parody from the Wayan’s Brothers – Scary Movie (as well as four sequels) and the horror genre had evolved from the 90s to less original ideas and more remakes, reboots and sequels. By 2010 the most popular horror movies were the Saw films, Halloween reboot and Final Destination sequels. The cleverness of the original Scream trilogy was a hard task to top in 2011. The film had to address the new wave of horror while sticking to its slasher roots. The opening comes straight out of a parody Scary Movie with multiple twists which involve scenes from the films based on the film within a film, Stab V, Stab VI, etc. They feature the hottest television actresses of the 2010’s including Lucy Hale from televisions Pretty Little Liars, Shenae Grimes-Beech from televisions 90210 (reboot), Anna Paquin from televisions True Blood and Kristin Bell from televisions Veronica Mars all hits of the late 2000s. The opening isn’t scary though as the comedy Scary Movie had dulled our horror taste. Watching multiple girls get stabbed wasn’t as scary to watch as it was in the 90s. Also the staging and editing weren’t as strong as the previous entries.

Thankfully as we move past the opening and are re-introduced to the core three, Sidney Prescott (Neve Campbell), Gale Weathers-Riley (Courtney Cox) and Dewey Riley (David Arquette) things improve. Courtney Cox and David Arquette are clearly enjoying being back in the franchise and Neve Campbell brings more of her mopey schtick as she did in the original trilogy. The new set of characters are a real treat with a great supporting cast from the early 2010’s including Hayden Panettiere, Marley Shelton, Alison Brie, Anthony Anderson, Adam Brody, Rory Culkin and Emma Roberts. 

These new characters much like the original are all aware of horror conventions, meta language and are all possible suspects to be the new killer. This film could have been a great reboot or legasequel like Star Wars and Creed with new characters taking over however they decide to stick with the original cast and murder most of the new cast which is a shame because most of them really popped especially Hayden Panettiere. They could have developed a cool new trilogy which could have carried the franchise through the 2010s. However the film wasn’t very popular and the franchise had died until ten years later.

The film overall isn’t as scary as the original and even though it’s definitely more gruesome than the originals we aren’t as invested in the deaths as by the end we know the original characters will get through it. I think a more daring approach would’ve been to have Sidney or Gale as the killer or at least get murdered.

By the end it becomes overly convoluted and the ending drags on way too long. Some good ideas but definitely the weakest in the series.

Rating: C-

FILM REVIEW DOUBLE: DEADPOOL (2016) & DEADPOOL 2 (2018)

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DEADPOOL (2016)

Colossus: You will come talk with Professor Xavier.
Deadpool: McAvoy or Stewart? These timelines can get so confusing.

Director: Tim Miller

Writers: Rhett Reese, Paul Wernick

Starring: Ryan Reynolds, Morena Baccarin, T.J. Miller, Ed Skrein, Stefan Kapicic, Brianna Hildebrand, Karan Soni and Leslie Uggams

Synopsis: A fast-talking mercenary with a morbid sense of humour is subjected to a rogue experiment that leaves him with accelerated healing powers and a quest for revenge.

Deadpool came out in 2016 in the peak of Comic Book Movie saturation. However with its R-Rated graphic violence, tongue in cheek humour and iconic performance from Ryan Reynolds this became the highest grossing X-Men film and a refreshing new take on the genre.

This is an average superhero origin story about a mercenary named Wade Wilson who falls for a stripper named Vanessa (played by the stunning Morena Baccarin) but soon gets cancer and doen’t have much longer to live. He decides to go through an experiment which will give him mutant powers similar to Wolverine where he can grow back his body parts and is unkillable. However the experiment leaves him disfigured and he leaves Vanessa and becomes Deadpool to exact revenge on the man who led the experiments, Ajax (Ed Skrein).

Although the plot is mediocre what elevates the material is the mix of R-Rated graphic violence
with the comedy of the character Deadpool who has constant witty remarks, breaks the fourth wall, insults himself and the X-Men Universe. Ryan Reynolds is brilliant as Deadpool, after many misfires as a superhero including Deadpool in the maligned Wolverine: Origins he finally found his own iconic performance. After this film everyone now knows him as Deadpool. Reynolds has always been a great presence on screen with his charming looks and Jim Carrey-esque humour. However he had more misses than hits. This film changed all of that as it was a massive success for an R rated Superhero film. Something the Studios never predicted.

The film also excels with its wonderful mix of supporting characters. The beautiful Morena Baccarin as Wade Wilson’s love interest is every comic book nerds fantasy. You have Karan Soni as the Indian Taxi Driver Dopinder, who seems sensitive and sweet in the beginning but has a dark side by the end. T.J. Miller as Weasel, Wade’s bartender who offers advice in times of need. Leslie Uggams (scene stealer) as Blind Al the ctrotchety blind old black woman who becomes Deadpool’s roommate.

This film is a lot of fun and similar to Iron Man, I wasn’t aware of the character from comic books or the X-Men Film Universe however this film changed all of that and I am now a huge fan of the character on screen and the comic book page.

A-

Highlights:
– Stan Lee as the Strip Club DJ
– Excellent opening establishing Deadpool as a character with his witty banter, conversations through the fourth wall, and then the action packed car chase sequence.
– The Soundtrack of cheesy 80’s/90’s hits

 

DEADPOOL 2 (2018)

Cable: You’re no hero. You’re just a clown, dressed up like a sex toy.
Deadpool: So dark. You sure you’re not from the DC universe?

Director: David Leitch

Writers: Rhett Reese, Paul Wernick & Ryan Reynolds

Starring: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Stefan Kapicic, Brianna Hildebrand, Karan Soni and Leslie Uggams

Synopsis: Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy of supernatural abilities from the brutal, time-traveling mutant, Cable.

Deadpool 2 is as fun and entertaining as the original. Ryan Reynolds is still perfect as the Merc with a Mouth. However like Guardians of the Galaxy Vol.2 you love these characters and enjoy the ride but the movie doesn’t surpass the original as it is exactly the same experience without the surprise of the first time you see these characters and their depiction on screen. The format is the same with Deadpool still breaking the fourth wall with witty jokes about X-Men films, comic book and pop culture references, and a sweet heart. This time instead of a love story it is a family story at its core.

The film actually borrows a lot from one of the best sequels of all time Terminator 2. A soldier from the future named Cable (Josh Brolin’s second Marvel villain this year) comes back in time to avenge the loss of his family by killing the Mutant who killed his family as a child. That child is Russell (Julian Dennison) a flame throwing mutant who is tested on in a Mutant Orphanage which is a front for dangerous tests and possibly sexual harassment of Mutants. Cable believes that if he kills him he can change the future and save his family. There isn’t much explanation of the character of Cable, all we know is that he is a strong soldier from the future with a cool gun who lost his family. Josh Brolin has a strong presence on screen however the character is quite underdeveloped and could have had more to do than being a killing machine like the original Terminator. Julian Dennison as Russell is a sympathetic character with a great story arc which coincides with each character. Deadpool’s bond with him becomes the heart of the story and provides drama to each action scene where he needs to protect Russell.

The Deadpool films aren’t your typical X-Men films. They are not dramatic character stories involving Mutants dealing with humanity. They are first and foremost superhero comedies (even parodies at some points) so you won’t get the characterisation and drama you expect from an X-Men film. All of the characters aside from Cable and Russell are comic relief with Deadpool as the main funny guy. I love this as it is a fun and different approach to the typical Marvel and DC fare, especially after the grim Avengers: Infinity War. This is just a fun pop-corn film with great action (new director David Leitch from the John Wick films brings a slickness to the action which was missing in the first) and great comedy from not only Ryan Reynolds Deadpool but from the supporting cast including Karan Soni as Dopinder, T.J. Miller as Weasel, Stefan Kapicic as Colossus, Brianna Hildebrand as Negasonic Teenage Warhead and Leslie Uggams as Blind Al. The original built a successful formula with these characters and the sequel continues with their characters building on the original.

The sequel does introduce more comedic sidekicks with Deadpool trying to create his own version of the X-Men with X-Force which includes one of the best sequences of the film on their first mission to save Russell. Domino (played with charm and toughness by Zazie Beetz) is the stand out of the team and a great new addition to the Deadpool films.

If you enjoyed the first Deadpool I can’t imagine you wouldn’t enjoy this one. There is plenty of tongue in cheek humour and gruesome violence for the older comic book film fans to enjoy. It doesn’t capture the magic of the original but it is still a fun ride and I hope we get more Deadpool soon.

A-

Highlights:
• Best post credit scene ever
• The cameos
• Every scene with Dopinder
• Dubstep

FILM REVIEW: THE JUNGLE BOOK (2016)

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Baloo: [singing] Forget about your worries and your strife…
Mowgli: What’s that?
Baloo: That’s a song about the good life.

Director: Jon Favreau

Starring: Neel Sethi, Bill Murray, Ben Kingsley, Idris Elba, Lupita Nyong’o, Scarlett Johansson, Christopher Walken

Synopsis: The man-cub Mowgli flees the jungle after a threat from the tiger Shere Khan. Guided by Bagheera the panther and the bear Baloo, Mowgli embarks on a journey of self-discovery, though he also meets creatures who don’t have his best interests at heart.

Perhaps Jon Favreau’s most disappointing film in years after the game changing Iron Man films and 2014’s charming Chef. The film is visually stunning however there doesn’t appear to be any linking narrative aka beginning, middle, end or character development. It is simply random scenes connected together by the one-note Mowgli and various animals in the jungle. However I don’t completely blame Jon Favreau as he is merely reenacting the animated Disney original from 1967 with less songs.

The plot of The Jungle Book revolves around a young boy named Mowgli (Neel Sethi) who has been raised by wolves and the wise panther Bagheera (voiced regally by Ben Kingsley) in the Indian jungle. With threats from the chilling tiger Shere Khan (voiced menacingly by Idris Elba) Mowgli must leave the wolves and find his own people. Along the way he meets a sneaky snake (voiced seductively by Scarlett Johansson) and a laid back bear named Baloo (voiced with charm by the always great Bill Murray). He also ends up in a temple run by the gigantic ape King Louie (voiced by Christopher Walken playing The Godfather). These series of events barely connect with each other and the film eventually finds a climax where the hero prevails but little else really matters. In fact the whole film felt like a series of events that don’t really matter. Mowgli is constantly saved from any threats and the actor does such a poor job in gaining any respect from the viewer as he clumsily reads through his lines and stares blankly at cgi creatures. I understand it must have been difficult for him to stare at tennis balls or sticks and create a realistic performance but with Favreau’s past with child actors including Emjay Anthony from Chef or Ty Simpkins from Iron Man 3 I was expecting more.

Where Favreau doesn’t let the audience down is with the breath-taking special effects. All of the animals are uniquely structured with meticulous design to put you in a real world of walking talking animals with genuine personalities. It was amazing to watch however if only the story and protagonist were more impactful.

Rating: 2 Stars

FILM REVIEW: GET HARD (2015)

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Darnell Lewis: When life throws you Dick you make Dick-ade!
James King: Dick-ade doesn’t sound like a significant improvement over dick.

Director: Etan Cohen

Starring: Will Ferrell, Kevin Hart, Alison Brie, Craig T. Nelson

Synopsis: When wealthy hedge fund manager, James King, is framed for fraud he is sentenced to maximum security prison, San Quentin. Worried about how to handle prison life he turns to his car cleaner, Darnell Lewis, who he falsely presumes knows what it’s like to be in prison because he is black. Needing the money to start his new business Darnell agrees to the offer even though he’s never actually been to prison.

A modern spin on the 80s classic comedy ‘Trading Places‘ with Will Ferrell as the stiff rich white man replacing Dan Akroyd and Kevin Hart as the poor black man (this time not homeless but a struggling business owner with a wife and daughter) replacing Eddie Murphy. It’s not officially a remake but it does borrow a lot from that film bordering on copyright.

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This is an enjoyable comedy not in the league of Ferrell’s superior comedies such as Anchorman and Step Brothers but better than most modern comedies. Hart brings his manic energy to the screen and after his hilarious stand up shows he’s beginning to bring that energy to his films after the disappointing Ride Along. Hart and Ferrell work well together but the film relies heavily on dick and rape jokes rather than their stars natural comedic talent.

Get Hard Movie (2)

Ferrell stars as James King a wealthy hedge fund manager engaged to the smoking hot Alissa (played with wicked delight by Alison Brie). He has it all – gorgeous house, wealth, power and prestige however he soon finds himself the victim of a false accusation and faces time in prison. He turns to his car cleaner Darnell (Hart) for advice on how to survive in prison. He offers him $30,000 for his help. Darnell accepts even though he’s never been to prison. What follows is a series of sketches involving Hart preparing a disillusioned Ferrell on prison life including how to act tough, how to suck dick, and how to fight strangers. Not all of the sketches work and the dick/gay jokes feel dated in 2015. If this film came out ten or twenty years ago it would have been a lot edgier and in your face but after shock comedies such as Borat, Jackass and the American Pie series unfortunately most comedy fans have seen it all before.

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It is an enjoyable time if you enjoy the humour of Ferrell and Hart but unfortunately little else for contemporary audiences.

Rating: 2.5 Stars

FILM REVIEW: FURIOUS 7 (2015)

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Dominic Toretto: I used to say I live my life a quarter mile at a time and I think that’s why we were brothers – because you did too. No matter where you are, whether it’s a quarter mile away or half way across the world. The most important thing in life will always be the people in this room, right here, right now. Salute mi familia. You’ll always be with me. And you’ll always be my brother.

Director: James Wan

Starring: Vin Diesel, Paul Walker, Michelle Rodriguez, Tyrese Gibson, Ludacris, Nathalie Emmanuel, Jordana Brewster, Jason Statham, Kurt Russell and Dwayne Johnson

Synopsis: After the death of a close ally, Dominic Toretto, brings his gang back together to seek revenge and also go on a worldwide mission to help the government get their hands on a new form of GPS tracking equipment that can trace anyone in the world.

Unfortunately franchise fatigue and tragic behind the scenes events weigh heavy on the seventh instalment of the Fast and Furious saga. It has been said again and again but it is quite the feat to have a b level action film from 2001 with no stars or credibility to go on to become a billion dollar franchise over ten years later. After the original The Fast and the Furious (2001) was a surprise hit and made street car racing popular the studio quickly went on to develop a sequel with the partnership of Vin Diesel’s stoic bad boy car racer, Dominic Toretto, and Paul Walker’s good boy charming undercover cop, Brian O’Conner to recapture the magic of the original. However Diesel didn’t want to be a part of it (believing he’d have a stronger career in more dramatic roles) so the studio went ahead and replaced him with Tyrese Gibson’s bad boy, Roman, who was essentially a more charming version of Toretto in 2003’s 2 Fast 2 Furious (great title). Then in 2006 Universal released The Fast and Furious: Tokyo Drift, which essentially strayed away from the buddy cop genre conventions of the previous two and went with a new story revolving around a troubled youth who has to move to Japan and discovers car racing and drifting. The film was the least successful of the franchise but did introduce Sung Kan’s Han who would become a series regular. The film also ended with a surprise cameo from Vin Diesel tying the film to the franchise. Perhaps the most important asset the third film brought was the introduction of director Justin Lin who would go on to re-establish the franchise for the better. In 2009, Lin brought the original four back together with the reunion of Vin Diesel, Paul Walker, Jordana Brewster and Michelle Rodriguez. It was a fun reunion and was a huge success at the box office showing that the franchise could live on. In 2011, Lin directed the best in the series with Fast Five, taking the gang on a wild heist and introducing Dwayne ‘The Rock’ Johnson’s Hobbs a federal Marshall on the hunt for Toretto. Johnson brought swagger and charm to the role of Hobb’s and Lin brought breathtaking action sequences to new heights and the series was now a phenomenon. In 2013, Lin made his final bow with Fast Six, which was another action masterpiece with incredible set pieces. However Lin decided to leave the franchise when Universal wanted to rush production and have Furious Seven released a year later. James Wan, successful from horror hits such as Saw, Insidious and The Conjuring was brought in to complete the film. Wan a talented director wanted to explore an action film and things were on the way however only months into production, Paul Walker tragically passed away in a car crash. The film appeared to be over however with time away and further negotiations, Diesel and crew decided to complete the film as a tribute to Walker. With CGI, Walker’s brothers as stand ins and existing footage they were going to complete the scenes of Brian and also send him off with a farewell from the team/franchise.

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With Walker’s death changing everything the film suffers on two levels. One it is hard to watch Walker drive into death defying situations without feeling uncomfortable knowing he died in reality doing the same sort of thing. Also his later scenes feel clunky with him speaking on the phone filmed from his back or fighting Tony Jaa in the dark to obscure his face it shows that despite their noble efforts the filmmakers still couldn’t hide the fact that Brian was no longer played by Walker. Also the films narrative switches to accommodate his characters departure from the franchise. Although in previous films Brian partnered with Torreto’s sister, Mia (played by Jordana Brewster) and even had a child with her. Now he decides to leave the gang and live with her far away. The final scenes are an emotional tribute to Walker and Brian however after further thought his character could have had a stronger exit.

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Now for the rest of the film the gang is on two missions. One is to fight Jason Statham’s new character of Dereck Shaw, brother of Owen Shaw from Fast Six that was put into a coma by Torreto. As Torreto and his gang fight Shaw they meet a new ally in Kurt Russell’s Mr Nobody, a shady government agent who gets Torreto’s crew to work for him to find a GPS tracker which can find anyone in the world. Despite some great action scenes the films multiple plots are hard to keep track of and at 137 minutes of exploding cars, helicopters, city streets it all becomes a bit too much. Lin was better equipped at handling action scenes in FF 3 – 6 with slower panning and longer edits. Unfortunately Wan films his action in quick cuts and it is hard to keep up with the space of the characters, cars, helicopters, etc in most of the action scenes. Wan shows some impressive camera angles in the first fist fight between Johnson and Statham however as the film moves on to car chases and explosions Wan suffers under the pressure to top the last films action creativity.

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With a confusing plot and action scenes with jarring quick cuts unfortunately Furious Seven ends up being one of the least enjoyable in the franchise. The film isn’t terrible with a moving tribute to Walker and a few enjoyable action scenes. It is disappointing as the previous entries have set the bar extremely high. Only Dwayne Johnson’s Hobbs saves the film with a bit of humour but he is also taken out far too quickly in the opening scenes of the film.

Rating: 2 Stars

Ranking of the Fast and Furious Franchise.

1. Fast Five (2011)
2. Fast Six (2013)
3. The Fast and the Furious (2001)
4. Fast & Furious (2004)
5. Furious Seven (2015)
6. 2 Fast 2 Furious (2003)
7. The Fast and the Furious: Tokyo Drift (2006)

FILM REVIEW: AMERICAN SNIPER (2014)

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Wayne Kyle: There are three types of people in this world: sheep, wolves, and sheepdogs, Some people prefer to believe that evil doesn’t exist in the world, and if it ever darkened their doorstep, they wouldn’t know how to protect themselves. Those are the sheep. Then you’ve got predators, who use violence to prey on the weak. They’re the wolves. And then there are those blessed with the gift of aggression, an overpowering need to protect the flock. These men are the rare breed who live to confront the wolf. They are the sheepdog.

Director: Clint Eastwood

Starring: Bradley Cooper, Sienna Miller

Synopsis: The true story of Chris Kyle, the most deadly sniper in American history with over 160 confirmed kills over four tours during the Iraq war. However when he returns home to his family he can’t easily escape the war that now lives inside him.

Clint Eastwood returns to fine form in this gripping true story of American soldier Chris Kyle. The film opens in Kyle’s childhood with his strict Catholic father teaching him the respect for guns and to protect your own no matter what. It is these values that follow Kyle into adulthood when he begins to see America is under attack from foreign enemies. He joins the army and becomes a NAVY seal. His skills with a sniper rifle are quickly discovered by his superiors and he is promoted. Meanwhile Chris meets Taya and they soon fall in love and get married. However just before they get married the tragic events of 9/11 occur which sparks the American war with Iraq.

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Eastwood has a strong eye for action scenes from his early works such as The Outlaw Josey Wales (1976) to Sudden Impact (1983) to Unforgiven (1992). Even his dramas can contain gripping action sequences such as Million Dollar Baby (2004) and Gran Torino (2008). It is during Kyle’s tours in Iraq where Eastwood’s direction really shines in his gripping and tension filled sequences involving Kyle having to take a shot, whether it is a child or mother or another skilled sniper these action sequences are breathtaking and elevate this film to a very high standard. Eastwood knows there is no black and white reason for the war or for taking a life and Kyle’s story is filled with compromised choices that no man should ever have to make. Eastwood also shows the human frailty of being in the war and taking so many lives as Kyle returns to a quiet and loving home but can’t get the screams and gunshots out of his head.

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Bradley Cooper gives a gripping performance as Chris Kyle not only physically (he put on mass pounds to appear bulky as the real Kyle) but also emotionally with his piercing eyes showing us the cost of war. He is riveting throughout and elevates the film to near classic status. Sienna Miller also turns in a strong performance as Kyle’s wife Taya who also must deal with raising a family and trying to save her husband from the war he can’t leave behind. The politics do become a bit shaky by the end of the film as Eastwood and Cooper show a man struggling with this devastating war however as the film ends Eastwood begins to portray Kyle as a true American hero however Cooper portrays him as a broken man who had given too much to his country with little reward. Although the politics are a tad unsteady, Eastwood and Cooper deliver a strong and riveting drama.

Rating: 4 Stars

FILM REVIEW: BIRDMAN (2014)

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Riggan: Just find me an actor. A good actor. Give me Woody Harrelson.
Jake: He’s doing the next Hunger Games
Riggan: Michael Fassbender?
Jake: He’s doing the prequel to the X-Men prequel.
Riggan: How about Jeremy Renner?
Jake: Who?
Riggan: Jeremy Renner. He was nominated. He was the Hurt Locker guy.
Jake: Oh, okay. He’s an Avenger.
Riggan: F – k, they put him in a cape too?

Director: Alejandro Gonzalez Inarritu

Starring: Michael Keaton, Edward Norton, Emma Stone, Zach Galifianakis, Naomi Watts, Andrea Riseborough and Amy Ryan.

Synopsis: An aging actor who was once famous for playing the superhero ‘Birdman’ struggles to regain relevance when he attempts to adapt a play based on Raymond Carver’s What We Talk About When We Talk About Love.

A visually compelling and emotionally resonant motion picture from director Alejandro Gonzalez Inarritu. I loved Inarritu’s first two films Amores Perros (2000) and 21 Grams (2003) however he lost me with Babel (2006). His first two films had a gritty visual style and fractured structure that resonated with the films themes of desperation, longing and failed dreams. However he went too far with Babel, which turned into two hours of depression porn. I’m happy to see that just like his lead character Riggan Thomson he has made a comeback with this important and relevant fable on celebrity culture, superhero/blockbuster cinema, arthouse cinema and his original themes of desperation, longing and failed dreams. The film is very meta not only for its director but also its lead character Riggan, who was once in a successful superhero franchise (Birdman 1, 2 & 3) just as its actor Michael Keaton (1989’s Batman and 1992’s Batman Returns). Keaton has always been a wild and charismatic lead actor and revealed a manic spirit in his first successful film 1988’s Beetlejuice. Keaton recaptures this manic energy and also adds a level of gravitas by knowing his history with the real life Batman franchise. He gives the character an extra level of reality with his casting.

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The film revolves around Riggan trying to make a comeback by adapting the Raymond Carver play What We Talk About When We Talk About Love, however his own hubris comes in the way as everything starts falling apart including the set, actors and his own fragile mind. Riggan continuously hears voices in his head from the character he once played, Birdman. Birdman believes that Riggan shouldn’t bother with this play, no one cares and he won’t be able to make it as a true actor. He tells him to take the check and star in another Birdman film which is what the audience really wants. No one cares about theatre and broadway. He may be right in this day and age of the superhero blockbuster. The film is a real time capsule of cinema in 2014 and is a savage attack on the entire superhero genre and how it is destroying true art. This is only one of the themes as the film also tackles age, father daughter relationships, art versus commercial, internet and viral marketing, actor’s egos, and the fall of success. It is a bold and powerful film.

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The real star of the film for me was cinematographer Emmanuel Lubezki. The film is made to look as if it is all one shot and this is breathtaking to behold. The amount of work from actors to crew (especially the stage handlers) is amazing as the camera pulls in and out of Riggan’s room, to the stage and to the streets of New York. The films distinct look is remarkable and will be talked about for years to come. I haven’t even mentioned the impressive performances from Edward Norton, Emma Stone and Zach Galifianakis, Naomi Watts, Andrea Riseborough and Amy Ryan. The film is quite the masterpiece and is clearly one of the best films of this decade.

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Rating: 4.5 Stars